It’s more feminist than anything else, with the darkly magnetic Riley leading her mostly male compatriots towards their twisted demise. Taken on its own merits, “Hellraiser” is the story of a defiant young woman battling addiction. 'Song of the South': 13 Things to Know About Disney's Most Controversial Movie The 25 Saddest TV Character Deaths of This Century 3' Review: These Intergalactic Weirdos Are the Real Heart of the MCU Where to Watch This Week's New Movies, from 'Are You There God? It's Me, Margaret' to 'R.M.N.' Either that, or they were stymied by the Hulu (AKA Disney) of it all. Capably directed by David Bruckner and written by Ben Collins and Luke Piotrowski, “Hellraiser” feels like it came from a team of straight horror guys who know what they’re doing, but still entirely missed the point. It’s perfectly entertaining, using Barker’s inventive tropes to tell a solidly gory nightmare, but it’s a pale vanilla shadow of the original. Shedding the subtitles like a cenobite’s skin, “Hellraiser” is a 2022 rebirth for the franchise, free of all the sexy subversion that got it here in the first place. It’s Disney does “Hellraiser,” which - incidentally - is exactly who paid for this latest iteration the classic. Unfortunately, all of the kinky perversion has been scrubbed clean from the new version, with only a nice gay couple left in its place. Based off of Clive Barker’s 1986 novella and originally adapted by Barker in one of the great writer-to-filmmaker transformations, “Hellraiser” belongs to the freaks, punks, and fetishists who saw themselves in the S&M-inspired looks and story of unhinged sexual exploration. Once certain properties attain cult status, its followers will delight in any offering, even if only to fuss over its ranking in the canon. It’s not likely that any review, positive or negative, will effect the reception of the latest “ Hellraiser,” now the 11th addition to the cult horror franchise.

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